Shararat is a concise Urdu romantic novel penned by renowned digest writer Nabeela Aziz. Known for her engaging storytelling, Aziz delves into themes of impulsive actions and their unforeseen consequences. The narrative revolves around a young woman's prank that spirals into a life-altering situation, highlighting the delicate balance between humor and responsibilities.
The story centers on a spirited girl whose mischievous act—intended as a harmless joke—leads to unintended repercussions. Her prank backfires, resulting in a forced marriage that challenges her perceptions and emotions. Through this twist of fate, the novel explores the complexities of relationships, personal growth, and the societal expectations placed upon individuals. Aziz's portrayal of the characters' emotional journeys offers readers a blend of romance and introspection.
Shararat serves as a poignant reminder of how seemingly trivial actions can have profound impacts. Nabeela Aziz crafts a narrative that is both entertaining and thought-provoking, urging readers to consider the weight of their choices. The novel's blend of humor, romance, and moral lessons makes it a compelling read for those interested in stories that reflect on personal accountability and transformation.
Shararat Sneak Peak in English
"It was already quite late at night when he thought of going to his bedroom.
He stood up while glancing at the time on the clock. After seeing his friend Hassan off, he moved toward the room. Climbing the stairs, he entered his bedroom.
As he locked the door and turned around, he froze.
Along with the bride, the room's appearance was also a mess.
The beautiful floral sheet was lying crumpled on the floor.
The vase placed on the side table had shattered, and the flowers were scattered across the floor.
Everything on the dressing table was toppled over.
The bride’s own dupatta was half on the sofa and half hanging down.
Her sandals were somewhere, her purse somewhere else…
He took slow, careful steps forward, when something beneath his foot crunched.
He stepped back and looked down — it was the bride’s gold necklace, crying silently over its neglect.
He bent down and picked it up. Some of its pearls had broken off.
He placed the necklace on the crystal table in front of the sofa.
She herself was lying face-down on the bed, her face buried in a pillow.
She was wearing the silver lehenga that Mehroz liked so much, but the dupatta was draped over the sofa.
He carefully made his way to the bed…"